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‘Beyond Cold War’ is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other. I’m questioning the landscape about its aura, and what it is giving back to the recipient from its historical experience. During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.